(2008) Schubert: Violon Sonatas, German Dances & Lied Transcribed for Clarinet and Piano Kei Koito had warned us of “a

had warned us of “a monstrous instrument”

The Duo Crommelynck has toured throughout the world and is regularly invited to the most important international festivals

the accents have been slightly shifted

but I had to give up the thought in view of the insurmountable problems with the rights at the time

seems to hover behind the opening of Mahler’s Ninth Symphony

(2008) Schubert: Violon Sonatas, German Dances & Lied Transcribed for Clarinet and Piano Kei Koito had warned us of “aThinking back on my own life as a musician; I realize that; had I been introduced by other musicians to such a radically different world as Schubert's; I should undoubtedly have shown less interest for him. In other words; how is it that a stream can move me so deeply; moreover a stream of tears? (Jelinek) While I admire Schubert's simplicity; the natural flow; the endless melodies; the character both earthly and immaterial of his dances; his poetry