Framed Plate No.18; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Curios One would more commonly see

One would more commonly see Anglo-Indian chairs having pierced higher splat backs and upholstered seats rather than solid carved ones as per this example

but then A J Rowley began to commission artists to make designs specifically for wood panels

the wooden fairground seat from a children`s Noah’s Ark roundabout formed as a two horse led chariot with barley-twist brass handrail surviving from the second quarter of the twentieth century is presented in the original green

There are sections of loss to the left flank but 90% of the writing is still readable and has survived with some natural green patination to the gilt lettering

made by long standing companies such as Faber

Framed Plate No.18; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Curios One would more commonly seeOrigin: English Period: Early 19th Century Provenance: Unknown Date: c. 1833 Height: 13. 5 inches (in frame) Width: 20. 5 inches (in frame) London. M. A. Nattali. Folio. In landscape form, the framed and glazed single engraved plate leaf, numbered Pl. 18, taken from Anatomical Studies of the Bones and Muscles, for the use of Artists, the drawing by the late John Flaxman, Esq. R. A. Engraved by Henry Landseer depicts the various muscles of the arm to